Free Ebook Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam
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Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam
Free Ebook Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam
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Product details
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Audible Audiobook
Listening Length: 9 hours and 3 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Audible Studios
Audible.com Release Date: May 15, 2012
Language: English, English
ASIN: B0083LJ7WK
Amazon Best Sellers Rank:
Interesting book covering a topic that's not really covered, and that is the rock and rap subculture in predominately Muslim Middle East and North African (MENA) countries. The author speaks about six languages (including Arabic and Hebrew) so he gets around pretty well. One item he mentioned that I found interesting is that the Arabic spoken in Morocco is very different from the Arabic spoken in other parts of MENA, so much so that Arabic speakers in Syria (for example) couldn't understand the Arabic spoken in Morocco (and vise versa). Moroccan Arabic has a lot of Berber and other non-Arabic (such as French and Spanish) words embedded in the language. The author writes about his own personal experiences traveling in various MENA countries. He's particular to rock music because he's a rock guitarist himself, and has played with various bands located in the countries he writes about. His book is a sociology book about a subculture existing in MENA, and the social problems and tensions that he's observed (especially concerning rockers and rappers in those countries he visited). If you want to read about the rock and rap subculture in these countries, then this book is probably a pretty good book to read. He didn't really write much about the various terrorist organizations operating in MENA (organizations such as the Sunni terrorist organization Muslim Brotherhood which had ties to Nazi Germany back in the 1930s and 1940s and which has supported or spawned other terrorist groups such as Hamas, Al Queda, and ISIS). I have a feeling ISIS (for example) would probably have little (or no) tolerance for the rockers and rappers, Jews, and other people not following their radical Islamic philosophy (including the author) and would probably execute them if they caught them (beheading being a common execution method). If you want to read about the overall socio-economic problems and the history of MENA, then I'd recommend books by Bernard Lewis, or James Gelvin or Huston Smith (for detailed info on religions such as Islam, Judaism, Christianity, etc) or Lord Kinross (on Ottoman history), and others. The author of this book tends to have a liberal leftist (moving in the Cultural Marxist direction) slant to his writings, and his writings are not as balanced as other writers of MENA history and culture. But again, if you just want to read about the rock and rap subculture existing in MENA, then this book is a good book to read for that.
I purchased this book with the expressed intention and aspiration of learning about the Metal culture in the Muslim world. This book accomplished this task marvelously.The reason I could not allow myself to give this book any more than three stars is chapter five. This chapter is filled with glaring inaccuracies and is tainted by such a strong political bias that it reflects quite poorly on the author and his work.Chapter five deals with "Israel/Palestine." Indeed, this is a contentious issue in which it is difficult not to have personal feelings. But as a purported professor of Middle East history, the author should have taken care to be accurate and not to pick sides.The author continuously endorses the Palestinian version of history while dismissing the Israeli version of history as merely "Zionist narrative."He is critical of Israeli rapper Kobi Shimoni to a fault. He accuses Shimoni of providing "a renewed and largely uncritical nationalist narrative" to Israeli youth. He then asserts that this narrative justifies "routine humiliation and violence that Palestinians suffer at the hands of the IDF."The author conveniently ignores the fact that this "routine" humiliation Palestinians endure stemmed from daily terrorists attacks that Israelis put up with from Palestinian terrorists after Arafat walked away from the promise of a Palestinian state in 2000.He also ignores the fact that Kobi Shimoni's music is not only pro-Israel, but pro peace with the Palestinians as well. He decides what music is "good" based on whether the band or artist playing it just so happens to agree with his politics.He accuses this "narrative" of having no basis in reality while failing to provide adequate historical context for his readers. When he does discuss history, it becomes apparent that he has no qualms about embracing Palestinian narrative.Below are some selected quotations from page 113 of this book that demonstrate the author's bias.-"Zionist colonization" What colonialism does he see in the Zionist movement? Jews escaping persecution in Europe and returning to their ancestral homeland does not amount to "colonialism" by the definition of the word.-"Establishment of a Jewish state on 78% of Palestine..." Palestine was partitioned by the British in 1921 to create the Kingdom of Jordan which formed 78% of Palestine at that time. If a Palestinian state is created in the future, a Jewish state (Israel) will exist in only 18% of Palestine and ¾ of Palestinians worldwide live in Historic Palestine (Israel, Jordan, West Bank and Gaza).-"Palestinians forced into exile..." Not a single Palestinian would have become a refugee had the Palestinian leadership accepted the 1937, 1938 or 1947 partition plans instead of launching riots and wars aimed at getting rid of the Jewish community in Palestine and later Israel. This is not mentioned in the book.This author writes quite well about Islam and Metal. I can hardly imagine, however, how he became a professor of Middle East history.This is a good book. It would have been better had chapter five not been so political and one-sided.
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