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The Photographer's Eye, by John Szarkowski
Download The Photographer's Eye, by John Szarkowski
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Product details
Paperback: 156 pages
Publisher: The Museum of Modern Art, New York; Reprinted edition (March 1, 2007)
Language: English
ISBN-10: 9780870705274
ISBN-13: 978-0870705274
ASIN: 087070527X
Product Dimensions:
8.5 x 0.6 x 8.8 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
59 customer reviews
Amazon Best Sellers Rank:
#42,048 in Books (See Top 100 in Books)
This, combined with Stephen Shore's similar-but-complimentary *The Nature of Photographs* would be a good bibliography for a beginner's class on photography - in which the students must use a fully-automatic camera - maybe a smartphone?These two books complement each other - makes sense, IIRC Szarkowski was some kind of mentor to Shore. Also they complement the approximately 100% of how-to books on photography that never mention how to do photography. Most photography books exclusively cover technical stuff that in 2016 anyone can easily master in an afternoon.Of course there is a surfeit of writing about *about* photography, but IMHO those are for the second semester of the course of study I'm proposing. Maybe Sontag and Barthes would be the texts for that class. I think it's good for a photographer to limit that kind of reading, anyway - too much photography nowadays has photography as its subject.When I became deeply interested in photography as a hobby, I tore through lots of books and videos, and I always had a sense like, "Yeah, but that doesn't explain what ____ is doing," (whoever was my favorite photographer that week). I don't know where I got that sense, but I also sense that many photographers are missing that sense. This book would instill that sense in anyone, I think.I found Shore's book early on - I wish I had found *The Photographer's Eye* at the same time. I think I would have developed much faster into a photographer with direction and purpose.
I was excited to receive this collection of photographs assembled by MOMA curator John Szarkowski. At first, I was a little disappointed because I was expecting more commentary on the images- I imagined a publication where Szarkowski would deconstruct the images, point out observations and relate them to photo theory. I looked forward to getting in the mind of the master. Once I got over this disappointment, I picked the book up again and realized what an idiot I had been for wanting that to begin with."The Photographer's Eye" is the perfect title for this book- It doesn't overwhelm you with essays explaining how to see, how to think and what each image "means". Instead, it presents 5 expertly curated collections of photographs (The Thing Itself, The Detail, The Frame, Time, and Vantage Point) and it gives the viewer just a tiny bit of written information to consider regarding that collection. The viewer is then forced to visually consider and decipher each image (as well as the collection as a whole) and make those wonderful little discoveries on their own. In effect, to see and understand using the photographer's eye rather than the writer's word. Man, Szarkowski was a genius.I can't recommend it highly enough. Beautiful images, beautiful sequence, beautifully curated.
Wonderful book! This is not a 'how to' in any way, shape or form, but it is a book that will make you think about what goes into your images. The author breaks photographs into 5 sections and writes a little about each section, then provides a number of amazing, historical examples.This is a book that I've already read through 3 times shortly after I bought it, and I'm sure that I will return to it over and over for inspiration.I've been a photographer since the late 70's but this book brought me new insight.
A number of reviews have focused on the lack of narrative in this book. This assessment is correct. However, the book is a major chronology of the power and influence of photography, and is a visual treat. The quality of reproduction reflects its price and heritage, nevertheless, it contains, in a structure way, many powerful images. This is a very important book, but its style and contents are not for everyone. In particular, it contrasts significantly in style and tempo, with Szarkowski's other well known work - "Looking at Photographs - 100 Pictures from the Collection of the Museum of Modern Art".
This is a book with many images and a few words. But the small text is of seminal importance for the understanding and the future of photography.Firstly, John Szarkowski draws a parallel between the art that forged photography - painting - and photography in itself. A comparison between the inclusion of a painting canvas and the exclusion of a camera viewfinder.He does not dismiss the photograph as something lost in the space and time, but as something in motion, even if only for 1/30 of a second. A Cartier Bresson's "decisive moment", not in the sense that is commonly accepted by most(a dramatic climax), but a visual one.The author emphasizes that this is a new art and needs to be still discovered in many senses. The photographers need to discover new meanings and ways to express themselves in new images.John Szarkoswi was the curator of photography of the Metropolitan Museum of Art of New York for many years. In the exhibits he put into action his thoughts, inclusively promoting color photography.As a photographer, I have learned a lot in those few pages.One of the conclusions that I draw is that the film and digital controversy is innocuous. Whatever image you capture through the viewfiender is photography.
John writes well so it is as fun to read his descriptions as it is fun to look through the photographs. Photographs aren't possible to describe so the text is brief, but it is invaluable in understanding them. For an art student, this has what you need to work towards bettering. Also look at John's other books; I keep my collection of them together.
I am an artist, educator and historian of photography. When this edition arrived I was amazed at how great the print quality was and the images were stunning. It's like my eyes were hungry for each image and I devoured it front to back and again and again. The essays by Szarkowski are not to be missed, but take up a smaller portion of the book. Would be great for making slides to teach photo history because the prints are so good.
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